Stalker versus Roadside Picnic

I used to be very interested and invested in sci-fi, but in the last few years I grew weary of it – I think it’s mostly because I started to recognize the patriarchal bullshit that underlies so much of it. One of the things that survived, however, is my love for the Russian novel Roadside Picnic, by the brothers Arkady and Boris Strugatsky. I loved the book when I first read it in high school and that love has only grown with re-reads, so when I found out there was a movie based on it out there, I was thrilled. Completely ignorant at the time of Tarkovsky’s reputation, I was expecting a run-of-the-mill adaptation, with the usual pitfalls and merits of these things. But Stalker turned out to have a rather weird relationship with the book. They share too little for Stalker to be considered a movie adaptation of Roadside Picnic, but they share too much for them to be considered entirely different cultural products. 

But as it happens, I think this relationship is perfect, because it makes them the best illustration of My Ultimate Division of Literature (tm), in which I am very invested these days, since I have exams and deadlines in an unrelated field. So, in the name of escapism and late night coffee rush, I hereby divide the world into narratives that treat the lives of the characters as ends in themselves, and narratives that treat them as means towards something greater. The criterion here is the perspective on what constitutes people's worth. I see two possibilities: (a) life as important by itself, with the characters' actions and choices being what's ultimately at stake and (b) life as a stepping stone that only makes sense in relation with something greater, where the characters' actions and choices are expected to amount to something that transcends them (or to actively fail to do so). 

I hold that Roadside Picnic is the first, Stalker, the second. And they are particularly fit to illustrate the distinction, since they both attempt to make a point about human nature through the same device: humanity confronted with an inexplicable and powerful entity (the Zone). Of course, I will spoil both of them in analyzing this, so beware. 

"But by and by they are buried in silence..."

When you have news fatigue, or internet fatigue, know that early modern scholars were there before you. This is from Robert Burton's (wonderfully-titled) Anatomy of Melancholy:

[E]very day almost come new news unto our ears, as how the sun was eclipsed, meteors seen in the air, monsters born, prodigies, how the Turks were overthrown in Persia, an earthquake in Helvetia, Calabria, Japan, or China, an inundation in Holland, a great plague in Constantinople, a fire at Prage, a dearth in Germany, such a man is made a lord, a bishop, another hanged, deposed, pressed to death for some murder, treason, rape, theft, oppression; all which we do hear at first with a kind of admiration, detestation, consternation; but by and by they are buried in silence.

Believe it or not, the message of this is supposed to be grimly positive. Burton's lesson is that whatever bad stuff you pull, it will be forgotten, the way all things are, so there is no need to get depressed over it.

The Double Standard of Aging by Susan Sontag

I'm sorry to have missed out on February. Life got really busy, which is a shame, because I was (and am) very excited about both social justice and French literature. I suppose we'll just have to continue to discuss these subjects throughout March, since we got nowhere near completing our readings or exhausting our thoughts.

The one thing I read was a very interesting essay by Susan Sontag: The Double Standard of Aging. I was pretty familiar with the argument through cultural osmosis, but I had never read anything by Sontag.

The essay discusses the double standard in how society perceives and treats aging in women and men respectively. Sontag's conclusion is that there is a far higher pressure applied on women with respect to age, which leads to higher psychological costs for them. Old age is something no one is very happy about (from a social capital point of view, nevermind the biological aspects), since it involves a diminishing of one's sexual attractiveness, but in men these negative aspects are somewhat compensated by an increase in the respect they get, from being perceived as wiser or more interesting. For women, being older is being less attractive: there is no achievement that can compensate for wrinkles. 

Review: The Second Sex by Simone de Beauvoir

Furthermore, I shall pose the problem of feminine destiny quite otherwise: I shall place woman in a world of values and give her behavior a dimension of liberty. I believe that she has the power to choose between the assertion of her transcendence and her alienation as object (...).

History gives to some works a value they probably wouldn't have in an atemporal lineup. I honestly can't say how much I would have appreciated this book without knowing that it was published in 1949 and believing that it was the first to draw a bunch of distinctions that needed to be drawn. Perhaps that belief is wrong, my knowledge of feminist history is not all that it should be, but it is what accounted for my enthusiasm every time I thought "Simone de Beauvoir gets it!" and, conversely, what tempered my annoyance whenever I felt that she was misguided. That is perhaps not giving The Second Sex the respect it deserves. But, you see, there was something tricky about this book, something that made it very hard to assess it as a whole.

The question at the back of my mind while reading it has constantly been "Is this still relevant?". It's hard to answer that, for two reasons. First, because de Beauvoir's argument flows so directly from an existentialist philosophy that I'm not sure to what extent they can be separated. Second, because a lot of her claims about how women are and how women act are framed in such a way that I don't have the tools to evaluate them, not without doing some historical research. You'll see what I mean below, if you can suffer through me discussing existentialism as practiced by Sartre and de Beauvoir first. (I can't blame anyone who is seriously bored/annoyed by existentialism, but there is a picture of a cat below the fold, if that makes it any better.)

Stendhal on Nature versus Nurture

I'm reading The Second Sex right now and it's tiring and awesome and... tiring. But she quotes Stendhal about why "the eternal feminine" is bullshit and I wanted to stop and share the snippet because it made me happy:

Pedants have for two thousand years reiterated the notion that women have a more lively spirit, men more solidity; that women have more delicacy in their ideas and men greater power of attention. A Paris idler who once took a walk in the Versailles Gardens concluded that, judging from all he saw, the trees grow ready trimmed.

I think this is from Stendhal's essay On Love, which is clearly due a reread because I had no recollection of it. In fact, his section in The Second Sex makes him sound altogether awesome and worth reading and rereading. And I might start using this quote the next time I discuss feminism with someone.

James Joyce's Ulysses: A Personal Odyssey

I read Ulysses for the first time in my last year of high school. I had already decided by then that I wouldn’t go on to study literature, although it was my oldest love. Somehow this made reading Ulysses a “now or never” affair. I wasn’t going to stop reading fiction just because I’d study something else in school, but, to my 18-year-old self, Ulysses seemed like the kind of book I might never check out without the incentive of a required reading list. I was prone to bouts of self-pity at the time, so this quickly became the symbol of all those intellectual landmarks I was going to miss by not becoming a lit major. So it was decided: I had to read Ulysses. There was just one small problem...

So, like many conscientious readers before me, I embarked on The Reading Ulysses Training Camp™. Mine was the abbreviated version. I figured I needed to be familiar with three things before tackling Ulysses: The Odyssey, modernism and Joyce’s previous writing. I was on reasonably good terms with the first two, so I moved straight to Joyce. (In retrospect, I really wish I had added some remedial Irish History to the list.) I read Dubliners and liked it. I moved on to Portrait of the Artist as a Young Man and there the problems started.